In this short video, I’ll show you how to drive scattered objects rotation to have them pointing towards the camera.
Scatterers attributes can be bind to colors and maps. Therefore, in Clarisse, scattered objects behavior can be controlled in many different ways.
In this tutorial, you’ll get to know how to create and edit inputs of a scatterer within the material editor and how to use this graph representation to easily look for the needed nodes – in this particular case, TextureUtility and TextureVectorToEuler nodes – in order to achieve the desired result.
In this short tutorial, I’ll share with you some efficient tips in order to drive the properties of individual scattered instance. There are several ways to drive scattered instances in Clarisse. But, the question is: how do we drive scattered instances individually depending on their position?
This video will first show you how to use TextureSupportColor and InstanceColor nodes to drive the color of each scattered instance.
Then, given that some attributes of the scatterer itself can be color/texture driven, it will walk you through some ways of using TextureSupportColor node to modulate these attributes over each individual scattered instance.
Among other things, this tutorial goes over many tips like color channels masking and output using the TextureReorder node to change color driven attributes without changing attribute values themselves.
Clarisse 3.0 brings a new Physical (physically based) shading model which consists of a new Path Tracer renderer and new set of materials, volumes and lights. This new physically based engine provides state of the art shaders and advanced sampling techniques. All these have been possible thanks to the years of collaboration with Double Negative R&D rendering team and specially with the help of Emmanuel Turquin! You’ll see, it is now way simpler (maybe even too simple ;)) to create photo-realistic images with these new shaders in Clarisse.
The quick and dirty test
Old vs New shading model
While the new PBR engine a rendering cost, (it is slower for the same amount of samples) you do get a better sampling. This means that you should need less samples to get rid of the noise. The other good thing is that now Clarisse is finally able to render caustics (both from specular and transmission) as you can see in the previous image.
Please don’t get your hopes up too high: the new path tracer is still a unidirectional one. This means that, while Clarisse resolves refractive caustics, they require a large number of samples to get noise free.
Getting started with PBR
When you start Clarisse, Clarisse will prompt you with the default shading model you wish to use. Make sure to select: Physical. That way, the default scene will be created with the path tracer and a Physical Distant light.
What are the big changes?
There are two dramatic changes to what you were used to in the legacy shading model.
First, attributes controlling the sampling are now in sample per pixel (spp). This means that you set the actual number of sample you wish to use. In the legacy model, the actual number of samples fired were the square of the input value. For example, 8 meant 8×8 (64) samples, now, 8 spp means that 8 samples are actually fired.
This is true for any attribute controlling samples including antialiasing.
Secondly, the new shading model doesn’t provide anymore a GI light. GI is automatically on by default. The quality of the GI and all secondary rays (including reflection and transmission) is set by the attribute Material Sample Count you’ll find in the path tracer. Clarisse will perform MIS and automatically distributes the number of samples (see this as a sampling budget) to the different BxDF according to the material. While that works pretty well, sometimes, you may want to add more sample to the glossy reflection for example. In that case, oversampling specific channels to launch more rays for glossy reflections for example is still possible using the per ray type multipliers.
Moreover, while sampling is now controlled directly at the path tracer level, you can still override any of these values at the material level for finer controls!
A quick word about lights
There are now two kinds of lights: infinite and area lights. Infinite lights are lights that aren’t relying on a physical geometry such as environment and distant lights. On the contrary, area lights rely on a internal geometry such as (finite) plane, sphere, spot etc… You will also note that area light now properly takes into account arbitrary scaling. The good news is that this doesn’t affect overall sampling quality.
PBR feature minitour video
Finally, please forgive us but we didn’t have the time to complete the new PBR documentation for 3.0 RC1 release. Fortunately, Yann prepared a small video to guide you through and explain you the basics of this new PBR engine.
There are two things I’ve always found interesting regarding how the mainstream (and I include myself in), generally tackles innovation. First of all, we tend to describe new things based on what we know best and on the other hand, we tend to minimize innovation because we either fail to recognize it or we unconsciously dislike the fact that it can potentially change our daily life.
For example, a smartphone could be described as a simple mobile phone with a built-in camera displaying an incredibly small and laughable battery life… If you think about it, many may agree with this simple but incomplete description. However, if you’ve already used a smartphone, and I guess everybody has in 2016, you certainly know that they are much more than that, even if their battery life is terrible 🙂
Well, you may wonder where I’m heading to or why I’m stating the obvious here, but in fact, you can’t imagine how incredibly difficult it is to describe and define something as new as Clarisse.
Yes, for some people, Clarisse is a compositing software that targets the same market as The Foundry Nuke or Adobe After Effects. Odd, right? Not really when you look at the Clarisse feature set which does provide some (very) basic compositing features… For others, Clarisse is instead another rendering engine which can be directly compared to VRay, Arnold or PrMan for example. After all, Clarisse is used to render stuffs and so do the other renderers. From these guys perspective, Clarisse can’t be considered as a serious rendering engine because it doesn’t provide the same tight integration to Maya or Max, that VRay or Arnold both provide… Finally, others define Clarisse as a 3D generalist application in which you can animate and layout. These guys are clearly identifiable as they are the first ones to ask for a VRay or Arnold to Clarisse plugin.
One thing is pretty obvious, so far we didn’t succeed in explaining what Clarisse is all about. Of course, this task is a difficult one and even more difficult because we’ve introduced a new breed of software in the CG software landscape.
Let me put things in context here (no pun intended on!). Clarisse was born from the frustration of former senior lighters/lighting TDs (Seb and I, aka the two founders). Believe me, it wasn’t for fun, for glory or for the love of a super high level technological challenge… Not at all! Here’s a fun fact: we did not intend to become software developers! The irony being that we’ve both interrupted our computer science studies to get a job as CG artists! We loved creating pixels more than writing lines of code. Anyway, it took us about 5 years working as CG artists until our frustration led us back to software development in order to try to improve our daily workflow. Then it took us almost 10 years to decide to stop pushing pixels and work exclusively on the development of a brand new application
One of the main reasons why we stopped is because we were tired of waiting. It’s pretty simple: to put things in perspective, at that time, we had the feeling that we were spending most of our days waiting. Yes, we were waiting for the application to start, waiting for a scene to load, waiting for the display to become responsive after a selection, waiting for modifications to be taken into account, waiting for our renders to start and waiting for our renders to end! The other main reason was that we truly believed we could design The Tool we, and by extension, others lighting artists, would like to use in production. A tool on which we could focus on our work: look dev, lighting, rendering, layering and pre-comping . A tool that would, in its heart, hide complexity to artists and let them spend the major part of their day being truly creative…
Clarisse was born on a whiteboard on which we started the design of a new workflow. Instead of following the traditional paradigms and design behind today’s applications (understand the Generalist 3D DCC application + external rendering engine) our idea was to do things very differently. I’m going to tell you something that will surprise you for sure! Did you know that the application of choice we used as a reference during this design phase was Adobe Photoshop?
Yep, that’s right! To design a 3D oriented application, our main inspiration came from a 2D one. You may find this awkward, but, when you think about it, we wanted to design an application with an image-centric workflow. After all, lighting, environment/matte artists work on images. Isn’t it the real purpose of this job?
So yes, Clarisse is innovative (we made it this way) and innovation is always very difficult to explain. It has to be experienced to be understood. Today, 3 years after we publicly released Clarisse iFX 1.0, we do have a demo introducing Clarisse which works actually pretty fine. I mean that, most of the time, the audience is positively surprised by what Clarisse does. And even better, it seems to exceed their expectations.
Interestingly, they usually define Clarisse as either the dream matte/environment artist application or as a look dev and lighting pipeline working out of a box. Although, this introduction works well, we can’t demo Clarisse to everyone. 3 years later, we still spend a lot of time trying to explain what Clarisse is all about and yes, we spend a lot of time saying: No! Clarisse isn’t another rendering engine!
We wanted to do this for a long time… as I couldn’t wait till the release of our new website… (I didn’t say anything!) Here we go our (un)official blog is opened! And Welcome!
Why this blog instead of your forum?
The primarily purpose of this blog is to share useful information, tips and tricks related directly or indirectly to our tools. These posts will happen on a regular basis based on the feedback we get from you guys. I really think the format of a blog is more suited and focused than on our public forums.
Why not just improve the user documentation?
Okay, we admit it, the search engine of our html documentation is pretty bad… Right now there’s a good chance you never find what you are looking for. In fact, what’s actually really bad is that the info is right there most of the time but not within reach of the search engine… Sorry about that… but the good news is that we’re working on it.
Okay, but would you believe me if I tell you that sometimes the info is right there, right in front of your eyes?
Did you ever notice the tooltip at the top? The one that explains what the current tool does?
If you missed that, don’t worry: you’re not alone and that’s actually the whole point of this blog! In fact, you can’t actually imagine the number of times we are asked for specific features that are already there in Clarisse! Yes! Feature is right there, ready to be used but sadly remains completely ignored by our users!
So, yep, the point of this blog is to discuss in a less formal way about interesting things and topics related to Clarisse. It will let us bring you information way more quickly than our other usual medias. For example, our Technical Artists will post here small and focused videos without the extra polish we usually provide on the ones you find on our Youtube’s channel. The main idea behind this blog is to build a place where you learn pro tips and tricks thinking:
How cool! That’s pretty smart, I didn’t know about that!
Pro tips and tricks related to Clarisse from Isotropix’ Clarisse specialists.